xanaxpop: poetry, music and prose from Lewis LaCook
Idiolect
Idiolect 2
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Idiolect 2

Spring Equinox, 2026
This is the second episode but in many ways it's the first. I thought when starting Idiolect that I would be doing about 20 minutes of audio, providing electronic music for whichever poets and writers wanted their works read to it; I got carried away, the current episode is an hour and a quarter, give or take. My deepest thanks to the poets who sent in work.


Idiolect is an odd, if simple idea: what if a literary magazine were a kind of podcast/radio show, where the work of various poets was read to musical backing, preferably experimental electronics. In this episode I provide all of the music, but am open to submissions of music to pair with poems. And as always, I'm open to poems! If you would like your work featured on Idiolect, send a submission to lewis@lewislacook.org, include submission in the subject, and I'll get back to you, I promise. Tentatively the next episode should appear on the Autumn Equinox, around late October.


bliss
Lewis

SHEILA E. MURPHY

Rain, the Sloppiest Evidence of No Containment

On the verge of sugarcoating the yard
These spittery baby blades invade 
Lacy spokes of green and greener still
Filling the space with up-facing pokey tops
I'm amazed I've only just now after years
Found a way to cushion my little self 
From the away game rain representing 
Meaning stay inside with nowhere to bolt 
During infectious jolts of thunder lightning 
Bales of liquid everyone I know says 
Isn't it nice for a change sun overstays
Its welcome and I almost violently 
Disagree believing too hard in this
Reliably promiscuous sunlight

LEWIS LACOOK

Our Backyard Prints Deer All Night

In the outside a shout folds up to here
shutting up venison at a vein’s crest
wreckage drafts my body’s ashes
edges of snow smoking with tears

But at night crossroads are lonely
just when love evens oval gas
you don’t want a minute in halves
stray cat that tolls slippery coins
papering  over your lips with a pang of moonlight
in houses where deer hatch from thickets
hinges of a balding moan

Inside the output gray trains weep
gabbing force-fed monsters in the background
I faded into last night
I could be your ghost if you’re still
the color of the walls here is always singing
your smile flaking off to dust the floor


PETER CICCRAIELLO

Once beings could quite easily transform into other beings,
A snake to a woman, a turtle to a frog, a man to an empty glass bottle
Just back and forth, as you please.
I know from my own empirical experience this is true
I have personally shifted to a number of rare and unexplainably exotic forms.
How can this be you say?
Life is stronger than metal and just as fragrant as orchids
I am told by beings that know.
Just look at this cold rain falling from the sky,
The way moonbeams travel to this distant window,
I myself am not the same fool I was this morning.
Do you need more proof than that?

SHEILA E. MURPHY

Meticulous the Sky

I don't think the elevator rises 
High enough but I get in and try
Elephantine mammals dry our eyes
Maybe hotter than wilderness
There is a sly buoyancy about 
The prospect of integrating what
Shy of haste we misericord 
Together with requisite others
Impaled on the notion taste equips
Us with enough fetters of course to get by
Wry to the taste the embers de-lure us
Apart from each look then to the east
And parlay the yield of some gumshoe
Better paid naturally than you

LEWIS LACOOK

Judas At Akeldama

You need to befriend the pain he says
as you walk its perimeter gauging heats
slinking along your love-parched pores
all open singing liquid songs of disquiet

You need to gorge on its beautiful shadow
crawling with music ululant with monsters
dappled with useless sunshine like bright winter
To gouge hearts into water that convenes
in your eyes blind to its tenancy
believe your insistence that crossroads
lead out of here don’t turn on themselves

as you do when midnight welcomes ghosts
whose faces have all been dear to you before
You need to forget what sugar far springtime
scatters underfoot to remind you who’s arm it is
around your shoulder pulling you close now
Greet your old friend with a stained glass smile


PETER CICCRAIELLO

Let’s drive faster

Let’s buy more rolls of plastic 
Let’s wrap the plastic inside of other plastic
Let’s buy another car, train, aeroplane
Let’s fly all over the world
And buy another TV, VCR, cellphone
OMG clothes, let’s buy more clothes
Let’s build closets, new rooms, houses
Let’s buy everything we see 
And take it home
And put it inside 
Our closets, new rooms, new houses 
And look at it
Because now we own it
Let’s kill everything and then let’s put it 
Inside of other plastic that is inside of other plastic
That is inside other plastic 
Let’s buy more guns
Lots and lots of guns
Let’s hang them on the walls
With other things
Let’s have them in every room
In schools and in churches 
Let’s have them in bathrooms and malls 
Let’s have little guns that fit inside of bigger guns
Let’s have a god that is a gun 
Or a gun that is a god
Let’s all be a bullet that shoots
Forever after
Omnipresent, all knowing, pervasive
Let’s drive faster
And faster
Forever after

LEWIS LACOOK

Persephone’s Favorite Fruit

Finally alone the monad peels a lotus in a blue room
every petal a language dying in the deep
as light bleeds from its panting verbs pangs
of suffix in the shallows enough to read

Now at the end when she dreams he meets her
at the door where black ice smiles back
steals her voice abrading it she catches
the crossroads as it foams over trees
following her eyes down the yellow line
dropping blue petals that smoke in viscous dark
Finally alone a breath pours out

on the dining room table where her face
luminous in the fruit bowl of overhead light
spills her shadow across the floor
washes the rug with a tangle of her smile
Her husband on the other side
holds out his hand as dawn birds the sky


PETER CICCRAIELLO

Its raining acorns 
wanted to let you know 
But your phone had no signal 
And you are no longer in my contacts 
But thought you might understand

SHEILA E. MURPHY

Makeshift Undertaking

You know the old rope trick made to make you
Look over here and there suddenly is change
Rattling in the pocket of a strained person
Unduly sure of the self (lower case s)
Stretched to veer toward the improbable
Particle waves discrete prompting a duel
Carried out in public and in private
Seizing attention like sheriffs arriving
At the home now just a house about to be
Nixed from personal history
A lagging indicator of privation
Summed up in the middle line of haiku
Skinny still plenary indulgent
Just when you thought no volta could come true

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